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Funky Fuel Fiat Farmin’: 1972 Oliver 1365. Scotty Gilbertson. 211 cubic-inch four-cylinder diesel engine with 65 hp. White was truly a global company much like vehicle makers are today. The Oliver 1365 was sold from 1971 to 1975 and was also branded as the White 1365 in Canada and the Minneapolis Moline G-450. This Oliver 1365.
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Last night, April 14, 2017 there was a groundbreaking event in our small town –the second of its nature in the United States: The grand opening of Central Pennsylvania. And the poetry art scene at large owes the expansion of its presence in this exceptional form to the, artist and writer,. If you are in the area –downtown State College, that is, stop. Then simply walk down its stairs, look ahead once on ground level, and be greeted by this public art piece right across the entrance.
In an article, featured in the April 2017 issue of Steven Deutsch–a local poet and freelance writer and one of the members of The Telepoem Selection Committee offers valuable insight into this “new public art installation” (“”, 32): Quote Start The Telepoem Booth is a repurposed 1970s rotary dial telephone booth, developed, refurbished, and sent to us by artist and writer Elizabeth Hellstern. When you dial a number, you are connected through a computer to a catalogue of poems, nearly all recorded by the individual poets. The first was showcased at the, in 2016. One currently resides in Flagstaff. Old phone booths have been repurposed as libraries and aquariums in the past, but the conversion to a poem booth is unique to Hellstern.
She writes of the idea: Sub-quote Start ‘In the arts we focus on vision, but I’m especially fascinated by touch. To me, touch is a very powerful and intimate sense that requires a one-on-one interaction, unlike sight or sound. It is the first sense. When I was a curator, I began judging beauty by touch as well as sight and I started to explore the concept of haptic experience. As a writer, I pondered the idea of bringing multi-sensory engagement to word. What is the word of art?
How can I make words have materiality of object? How can I bring words off the page?
I want words to interact with an audience in a way that is visual and kinesthetic. I want them to feel more intimate and require engagement of the senses. I thought about the forms and objects that have historically helped people to connect to others, forms that were created for moments of intimacy: pay phones and poetry. Combined, these two forms create a whole new experience – the Telepoem Booth’ Sub-quote End (Deutsch, 33). Quote End John Ziegler is another name that everyone aware of this newly erected art of ‘touchable’ poetry in State College should know. Inspired by his accidental discovery of the Telepoem Booth in Flagstaff, this local poet together with Hellstern initiated the installation of one in our town. The Telepoem Selection Committee –consisting also of local poets, judged 327 poems submitted by 86 poets for inclusion in the initial round, as quoted by the TSC chair Sarah Russell in her congratulatory email to those whose submissions were accepted.
Deutsch writes the final outcome in the same article cited previously: Quote Start 167 poems by 75 poets were accepted. While many of the poets are from the Centre Region, poetry from as far away as Australia is included. For the most part, the individual poets have recorded their poems, so that the voice the listener hears upon dialing up a specific poem will be that of the poet (35).
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Quote End Today, I feel gratified that two of my poems are among the 167 to dial up and to listen to. The Telepoem Book inside the booth offers a no-nonsense assistance. Poets and poems appear in that directory with their last names under two headings: “Telepoets” and “Genres”, spanning over nineteen genres. I am one of the ‘Telepoets’ whose own voices are heard once the dial-up is complete.
“A human being is part of the whole called by us ‘Universe’; a part limited in time and space. He experiences himself, his thoughts and feelings as something separated from the rest, a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening our circle of compassion to enhance all living creatures and the whole of nature in its beauty.” Albert Einstein Related Links. Memoirs in Verse. Inner Child Press Ltd.
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(August 2, 2017) An Aegean Breeze of Peace. A book of poetry, co-authored with Demetrios Trifiatis (October 12, 2015) Trance (December 12, 2013). A trilingual poetry book with own translations between English, German and Turkish For An Aegean Breeze of Peace, see also:. Recent Posts. Archives Archives. Follow Blog via Email Enter your email address to follow this blog and receive notifications of new posts by email.